Plagues
Background notes by the artist
I had the idea for the series of the ten plagues when I saw pictures and heard reports of the floods in Northern Germany in 2002 and had the thought that the plagues could be repeating themselves. I started to speculate on the allegorical significance of the ten plagues. I could not believe that this epic was intended to show that the single God of the Hebrews was more powerful then all the gods the Egyptians could muster. I was even more intrigued by the idea that God would wish to close the heart of the pharaoh. Was this really so that he could release yet another plague onto the people of Egypt and show his awesome power?
I suspected that the authorship of the plagues was assigned to God so that the Hebrews felt safe to leave Egypt. On the other hand, I thought this might also have provided a way of explaining the natural catastrophes that had occurred.
An early theory of some Bible historians was that the yearly flooding of the Nile was especially high at that time. This had the effect of bringing a huge amount of red clay down from the upper reaches of the Nile, which would explain why the water appeared to be the colour of blood and was undrinkable. When the floods receded, frogs, mosquitoes and horseflies could breed easily in the mud. If cattle stand too long in water they can become diseased, and people suffer too from damp conditions. Hail and locusts are always a part of life on the Nile and such events had always been regarded with great awe.
The newest theory seems to be that during the flooding of the Nile the volcano of Santorini in the Mediterranean underwent a major eruption. Its floodwave pushed seawater up the Nile and into the lowlands which could explain the story of the "parted sea". The ashes covered the sun and so caused the total darkness.
Nonetheless, the deaths of the first born cannot be easily explained, especially as they also included every firstborn domesticated animal.
Then, of course, there was Moses himself, the great politician and leader who weaved the ten incidents together and led his people out of slavery. The number ten is significant in many ways but it shows that all ten plagues are held together by one thought that connects all, and that is: "How do I free myself?"
This brings us to the most interesting part of the story, the underlying meaning. What can we learn from these plagues? Instead of the punishing patriarch, I started with the concept of the loving God who will manoeuvre us into situations that give us a deeper understanding of what life is about and change our thinking. It is as though we are being brought to the realisation that we have enslaved ourselves by inflated self esteem, short-sightedness and, above all, profiteering. But all too often we do not see this and blame it all on "God".
The Paintings
This series expresses an idea that I have been exploring for some years now, that of "the spirit in a landscape". In short, it is about the feeling that one gets a message while looking at a landscape. Although we understand it unconsciously, we may only become fully aware of the message when exposed to extreme situations. It is often said that "It could have only happened here". In this way I have looked for a landscape that would fit the plague. I have painted the actual plague like a wallpaper pattern or curtain, just like the feeling of continuous media exposure. The plague is not really part of the landscape but a short lived manifestation. I have not covered by far all plagues that surround us but here is a good selection.
The pictures are painted in tempera/oil glazes. Most of the backgrounds are based on photos that I took myself.
HD 2003
Publications
A catalogue of this series was published in 2005 to coincide with the exhibition of the series in Berlin. Also relating to this series is a speech by Prof. Dr. Theodor Schneider, Prof. of Dogmatic and Ecumenical Theology at Johannes Gutenberg University Mainz, given at the opening of the exhibition at Farbraum Art Gallery, Darmstadt, Germany
Copyright Hans Diebschlag All Rights Reserved
Background notes by the artist
I had the idea for the series of the ten plagues when I saw pictures and heard reports of the floods in Northern Germany in 2002 and had the thought that the plagues could be repeating themselves. I started to speculate on the allegorical significance of the ten plagues. I could not believe that this epic was intended to show that the single God of the Hebrews was more powerful then all the gods the Egyptians could muster. I was even more intrigued by the idea that God would wish to close the heart of the pharaoh. Was this really so that he could release yet another plague onto the people of Egypt and show his awesome power?
I suspected that the authorship of the plagues was assigned to God so that the Hebrews felt safe to leave Egypt. On the other hand, I thought this might also have provided a way of explaining the natural catastrophes that had occurred.
An early theory of some Bible historians was that the yearly flooding of the Nile was especially high at that time. This had the effect of bringing a huge amount of red clay down from the upper reaches of the Nile, which would explain why the water appeared to be the colour of blood and was undrinkable. When the floods receded, frogs, mosquitoes and horseflies could breed easily in the mud. If cattle stand too long in water they can become diseased, and people suffer too from damp conditions. Hail and locusts are always a part of life on the Nile and such events had always been regarded with great awe.
The newest theory seems to be that during the flooding of the Nile the volcano of Santorini in the Mediterranean underwent a major eruption. Its floodwave pushed seawater up the Nile and into the lowlands which could explain the story of the "parted sea". The ashes covered the sun and so caused the total darkness.
Nonetheless, the deaths of the first born cannot be easily explained, especially as they also included every firstborn domesticated animal.
Then, of course, there was Moses himself, the great politician and leader who weaved the ten incidents together and led his people out of slavery. The number ten is significant in many ways but it shows that all ten plagues are held together by one thought that connects all, and that is: "How do I free myself?"
This brings us to the most interesting part of the story, the underlying meaning. What can we learn from these plagues? Instead of the punishing patriarch, I started with the concept of the loving God who will manoeuvre us into situations that give us a deeper understanding of what life is about and change our thinking. It is as though we are being brought to the realisation that we have enslaved ourselves by inflated self esteem, short-sightedness and, above all, profiteering. But all too often we do not see this and blame it all on "God".
The Paintings
This series expresses an idea that I have been exploring for some years now, that of "the spirit in a landscape". In short, it is about the feeling that one gets a message while looking at a landscape. Although we understand it unconsciously, we may only become fully aware of the message when exposed to extreme situations. It is often said that "It could have only happened here". In this way I have looked for a landscape that would fit the plague. I have painted the actual plague like a wallpaper pattern or curtain, just like the feeling of continuous media exposure. The plague is not really part of the landscape but a short lived manifestation. I have not covered by far all plagues that surround us but here is a good selection.
The pictures are painted in tempera/oil glazes. Most of the backgrounds are based on photos that I took myself.
HD 2003
Publications
A catalogue of this series was published in 2005 to coincide with the exhibition of the series in Berlin. Also relating to this series is a speech by Prof. Dr. Theodor Schneider, Prof. of Dogmatic and Ecumenical Theology at Johannes Gutenberg University Mainz, given at the opening of the exhibition at Farbraum Art Gallery, Darmstadt, Germany
Copyright Hans Diebschlag All Rights Reserved
The Water in the Nile Turned to Blood (2003) /
Das Wasser im Nil wurde zu Blut (2003)
Oil and tempera on canvas
100 x 81cm
For Sale
Throughout history the poisoning of the water is regarded as a plague. Not only does this problem exist in the third world but we increasingly distrust our own water supply. When I saw the photos of the shimmering oil on the flooded rivers of northern Germany, here the River Elbe, Mecklenburg-Vorpommern, I thought about the blood in the Nile. Blood and Petrol. Petrol is the blood of our machines. To borrow an expression from the blues, “I asked for water, she gave me gasoline”. This plague is caused by men and my petrol cans fly in formation like fighter planes to unload at their given destination.
Die Verschmutzungdes Wassers ist, zu biblischer Zeit wie heute, die Plage Numero eins.Das Problem existiert nicht nur in Ländern, der sogenanntenDritten Welt, sondern auch hier können wir immer weniger auf unsereWasserversorgung vertrauen. Als ich das Foto der schillernden Benzinlache in der überschwemmten Elbe sah, dachteich an das „Blut“ im Nil. Benzin ist das „Blut“ unserer Maschinen, was in dem Blues „I asked for Water, she gave me Gasoline“wunderbar zum Ausdruck kommt. Weil es eine von Menschen verursachtePlage ist, lasse ich die Benzinkanister in meinem Bild wieKriegsflugzeuge in Formation über das Wasser fliegen, um sich amvorbestimmten Ort zu ergießen.
Copyright Hans Diebschlag. All Rights Reserved.
hans diebschlag
Site designed by pr23 - ww.pr23.co.uk
Created with insao::play - www.insao.co.uk
Created with insao::play - www.insao.co.uk